Zitherist International
Share your passion for the music of the Zither

Philadelphia Zither Ensemble
Die Zither is' a Zauberin,
Sie hat mir g'fangen,
Herz und Sinn.

The Zither is an Enchantress,
Who has charmed me,
heart and senses.

Franz von Kobell (link)

 

The music of the Zither is spreading throughout the world. Young musicians in countries like Germany, Austria, Switzerland, the Czech Republic, or even Japan play this instrument. Zither music is enjoying a renaissance even in the USA.

The universal love for this instrument, the Zither, links diverse musicians across the various countries around the globe; simultaneously, new audiences are beginning to discover the special sound of this "Enchantress." May she enchant you!

Zither Fingers plays Karas

ZitherFingers (aka John J. Synder) submitted this video of a performance of Karas' Third Man Theme. John wrote, "I shot the video with my iPhone® using it's built-in mic; my StringMic® is connected to a small guitar amp for a little sound reinforcement." Try the video in full-screen mode.

The StringMic that John developed can be a nice addition to a performer's kit. The StringMic retains a nice Zither sound, and is usable with type of string, even with nylon core strings such as the Lenzner Soloklang. (John tells me the unit works by detecting changes in capacitance, unlike those detectors that respond to changes in inductance and require the use of metal core strings.) The detector is a thin wooden paddle with felt on the underside to protect the finish of the instrument. One simply slips the paddle under the strings as can be seen in the video. A small box attached to one end of the paddle contains all the amplification electronics as well as jacks for the cord from the instrument and power. John plans to start manufacturing and taking orders for StringMics sometime in Fall 2011.

 

Zitherist.com website re-hosted

The Zitherist.com website has been moved to a new internet service. This will make it possible to more easily add content and to enable features that were simply not possible on the old service.

Extensive testing was performed prior to the move; however, the transition had some difficulties. We expect that there will still be a few issues to work out over the next days. We would appreciate any feedback you might have. Simply use the Contact Us button at the top of this page.

A downside of the move is that some links/bookmarks may have broken. This may be unavoidable, although there are mechanisms that are supposed to preserve as many link references as possible. It is our hope that the search engines will re-index the pages on the new web service. You may want to bookmark pages that you like again.

We look forward to meeting you online. Thank you very much for coming to this site.

 

George Washburn Zither Restored

George Washburn Zither front view

Peter Baitz has been meticulously restoring his George Washburn Zither. He recently wrote:

"I thought this 1890's George Washburn (Lyon & Healy Co.) zither should make a very nice addition to your zither gallery." He bought the instrument from an eBay seller who could only say it came from the collection of a deceased music teacher. Peter has been meticulously restoring his instrument so that he can learn to play the Zither.

Peter further wrote: "I think the design alteration of a curve toward the top above the guitar bulge, was an artistic touch, making it look more like a some type of harp shape.  I cleaned up the tuning pins and pegs and metal plate and fret, and luckily someone had previously fixed a couple cracks in the top and bottom, so it is playable, and I am learning on it.  Waiting for a new set of strings to arrive."

George Washburn Zither front view
Front view of Peter Baitz's George Washburn concert Zither
Tuning machinery before restoration.
Tuning machinery before restoration
After cleaning up the tuning machinery
Tuning machinery cleaned up. A few strings are yet missing.
Custom feet
Peter made feet for his instrument.
Improvised tuning key
Lacking a tuning key, Peter used a Dremel drill to modify a tool he had on hand.

 

Upon asking Peter how he is going about learning to play the Zither, he responded:

I bought two books with which to learn, Janet Stessl's (she is in Chicago and is also a teacher) and the A. Darr method book. But no, I am just self-teaching from these books, and from having 4 years of classical guitar lessons many years ago.

Thank you for Sasha's email. That comes at an interesting time. I was practicing last night, and one little bit of my zither's bridge (the bottom end) that holds up the 5 fretted strings, collapsed - just a little strip of wood, but enough to allow the metal bar holding up the 5 strings to slip out. A quirky mishap. So I have to rebuild that part of the bridge and have been contemplating the best/simplest way to do it.

Thank you again. :)

Peter

(Ed: Sasha Radicic is a guitar and Zither maker working in Missouri.)

 

The Zither and Polyphonic Baroque Music

 

The Zither and Polyphonic Baroque Music
by Nikolaus Schaack
translated by Jane Curtis

Many had the view that the Zither should not be used to play Baroque music. Nikolaus Schaack disputed that position vehemently.

This article was written about 1965 and submitted to Saitenspiel, where it appeared in the issues of January-February 1982 and March 1982. The following extracts are from pages 7-8 of the earlier issue and from page 10 of that issue through the end of the article. Omissions are indicated by five dots. Translator's notes [TN] are enclosed in brackets, as are summaries of passages not translated in full.

Read more...
 

Sterling Zither Seminar, no. 33, Spring 2009

Apr 2009 Zither Seminar
Particpants of the Spring 2009 Zither Seminar. Left to right, back row: Steve Dippel, Karl Skowronek, Jim Vorosmarti, John Snyder, Tony Walter, Kurt Maute, Richard Skowronek, Dave Kyger, Don Tsusaki. Seated: Marie Skowronek, Jane Curtis (click to enlarge)

Jane Curtis led her 33rd Sterling Zither Seminar on 3-4 April 2009. Jane's arrangements of several pieces were enjoyable and, in some spots, challenging for the participants.

Read more...
 
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